Poetry Events

Gremlin Grimoire

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Gremlin Grimoire is the title of the newest anthology from strange Quark Press. Their website is arresting!

I had stumbled across Strange quark in my online wanderings, a happily unexpected discovery. There was something new and different about it which appealed to me. The header on the home page is a great introduction to the publisher’s aims: “Strange Quark Press is an indie magazine for science-themed writing, science fiction, and speculative fiction and whatever weird stuff you come up with. The world of schooling and academia that many of us pass through and inhabit often feels stifling …” Magic and imagination provide leys that open doors to real learning.

I was curious and ventured in. Submissions were open!

The genre of Strange Quark is generally speculative fiction, including a broad church of magical realism, adventures in consciousness, the quixotic and weird, with hints of the Gothic. Most literary forms including poetry and short stories are all welcome.

The Zoom Launch

The editor, Ryan Walraven, is a fascinating character, as I was to discover at the Zoom Launch held to celebrate the anthology’s release. He invited each one of us to read our work in the limited time available – a slick 45 minutes! His personality radiated an indefinable offbeat quality, someone who definitely blazed his own trail and didn’t care too much about literary fashions or social media. Here was someone who knew his own mind and trusted his literary instincts.

Only ten authors have their work in this collection – I was most fortunate to be one of them. It may have been the obscure nature of the theme presented in the submission call which attracted limited numbers. Or it may have been the editor’s eye for bold individuality, I couldn’t gauge. What he has curated is a deliciously original and discerning mix of poetry and short stories.

The Zoom launch celebrated the anthology’s printed release. It is available on Amazon worldwide.

About Gremlin Grimoire

Ryan Walraven’s own words describe the anthology best:

“Gremlin Grimoire is a human-created collection of poems and stories that wanders from the ghoulish to the surreal. Across these pages, ten imaginative authors and one discerning cat offer their strange, searching takes on our theme.

Inside, ancient questions mingle with ethereal frequencies. Dangerous spell books collide with troubled relationships. The moon, naturally, makes an appearance, alongside psychedelic revelations, lingering shadows, and encounters that may leave reality feeling slightly less dependable.”

I had only one poem to offer which was close to the theme of spells and the surreal, and that was The Cabinet of the Bones. I was waiting for the right publisher to give this work a home. And he appeared!

Gremlin Grimoire was initially published on the website.

My poem can be read here.

Gremlin Grimoire Hits X

I had posted news of the publication on X quite a while after the anthology appeared. In spite the tardiness on my part (I had been absent from social media), I received an eye-catching response from Mr Nga, one of the few accounts on X who actively engages with me.

”A dark star scrying the earth”

Mr Nga captures the first two stanzas perfectly in this amazing image.

The Cabinet of the Bones

The first two stanzas of the poem The Cabinet of the Bones, published in Gremlin Grimoire.

The Triumph of Light Over Darkness

At the Zoom meeting, I somehow knew that Ryan would ask us about the ideas behind our work – I intuited he would ask me what the Cabinet of the Bones signified. I replied, “Essentially, it’s an exorcism.” The first two stanzas paint a dark scene, but the ‘man unbound’ appears in the last stanza, liberated from dark rites which had kept his soul captive in death. Thus he becomes like the sun.

An excerpt from the poem The Cabinet of the Bones, featuring the final stanzas.

Still abuzz after the Zoom readings, we all communicated enthusiastically with Ryan and one another by email. I had written to one of the authors, Julia Lymperopoulou, “… but I believe writing and poetry have healing, as your work shows.”

Pain and Life are the Coal of Creation

She replied, “And your poem is healing as well! I truly enjoyed it, along with all the images and emotions that surfaced while you were reading! Pain and life are the coal of creation, as they confront us with ourselves. I have written poems dedicated to my late mother as well. It is comforting, as much as it can be. And a channel even poetry could be to communicate with a different dimension.”

Beautifully stated and true.

Read the full poem here.

An Evening of Poetry at the Pumphouse Theatre

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The poet Elizabeth Barton at the Pumphouse Theatre.

And what an evening it was! A small but appreciative audience attended my showcase of poetry and videos, presented in an interview style by the ebullient host Mags Delaney.

An evening of poetry at the Pumphouse Theatre with the brilliant host Mags Delaney.
Creative Talks 2024

The Pumphouse Theatre has been hosting a series of creative talks throughout 2024. Creatives from all walks of life have already appeared on stage for the events.

The line up of participants for the Creative Talks 2024 at the Pumphouse Theatre

I was thrilled to participate as a poet on the evening of the 20th of May. The Events page of my website announced the occasion in anticipation.

How It All Began

The involvement with The Pumphouse began when I attended a celebration of poetry in October 2023 on the theme of Love, Peace and Protest. As an introduction, I emailed the host with three poems in the hope of reading them at the event. Mags Delaney accepted my work, with the invitation to come to The Pumphouse Theatre in Takapuna.

The Theatre was formerly a water pumping station and has reincarnated as a performing arts venue, its heritage carefully preserved. Situated in Killarney Park overlooking Lake Pupuke, it is an attractive site for all forms of theatre, providing much inspiration. It lies below a secluded street not far from the busy centre of Takapuna. The prominent chimney is visible from the main streets, making the venue easy to find. As we arrived early, we took the opportunity to explore the grounds overlooking the lake.

The Pumphouse Theatre on the shores of Lake Pupuke.
On the shores of Lake Pupuke
The Stage is Set

Following an afternoon of poetry performance in the intriguingly situated Coalbunker, Mags invited me to present an evening of my poetry as part of the Creative Talks for 2024. May 2024 was a long way off then, but time flew very quickly. Preparation entailed sending Mags several of my YouTube videos which she cunningly set up as an integrated part of the stage production. It was bound to be an entertaining evening.

We – being my husband and I – planned the outing well in advance, booking a night at the Ibis Hotel in Ellerslie, getting into the mood by arriving early from Te Aroha and checking in comfortably before the evening kicked off. We dined beforehand in the Ibis Café and set out in torrential rain to the Pumphouse in Takapuna. Fortunately, the rain did not deter the number of attendees.

During the course of the evening, one of the videos which roused much interest was Maui Catches the Big Kahuna. The poem originally appeared in Flights Issue 10, courtesy of Flight of the Dragonfly. A blog covers the publication of my poems in that Issue in more detail.

Maui Catches the Big Kahuna, making a splash at the poetry evening.
The video Maui Catches the Big Kahuna featured as part of the Creative Talks poetry evening.

After some forty minutes of poetry readings and video presentations, the audience participated with questions and anecdotes. Afterwards, we gathered for tea and refreshments. A few of the attendees bought copies of my poetry books, Mirrored Time and All Revolutions Begin This Way, which was a happy bonus. While the rain thrashed down, we mingled in the warm seclusive space of the Coalbunker. It was a most enjoyable evening.

Before leaving to face the elements, our delightful host presented me with a small leaving gift. In it was a card expressing her thanks.

A delightful parting gift as a greeting card depicting a Watercolour of the Pumphouse, presented by the host.

Poetry At Cow Milking Time

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The launch of Hidden in Childhood is the inaugural anthology from Literary Revelations, a new publishing house established by poet Gabriela Milton. I became acquainted with Milton’s poetry on Spillwords. Entranced by her originality and mastery, I followed her work with interest.
When she announced the launch of Literary Revelations, I was curious and excited, especially when she
invited me to send her work. As a result, I have two poems in the Collection, amongst some
scorchingly beautiful pieces. I’m honoured to take my place among poets of stature and shining talent.

Last weekend, the 22 of January, Gabriela staged a Zoom meeting to celebrate the launch of Hidden in Childhood. Some
27 poets from around the world joined in, reading their work. It was a feast of accents and outpouring
of ideas and recollections, some joyful, some painful, altogether producing a cathartic and elevating
experience. The meeting took place at 10:00 am Central Time, which meant I had to be at my laptop for
5:00 am! Luckily – magically, even, I awoke at 4:30 am, allowing me enough time to flick on the router
and PC and get settled with a piping hot mug of coffee.

No one noticed me in my pyjamas, I hoped! 4:30 am was the time my father used to get up to milk the
cows on our small dairy farm in the heart of the Waikato – who would have thought I would continue
in his footsteps just to read my poetry?